This is the fun part I’ve been waiting for, and slogging through all the nasty bits for…  It’s time to make the game proper!  Now I can enjoy the rest of the project a great deal more because it’s all about:

- making graphics

- making sound and music

- making levels

These parts are why I make games - programming and engines are all a means to an end - and I’m pleased to discover that the engine is adapting well to having lots of shiny new content thrown at it.

In that sense I really feel like I achieved my goal of reducing all the bullshit you have to do to get stuff into the game - it’s now just a case of coming up with the creative stuff, and getting it in there is [almost] pleasurable with the editor.

So far there’s heaps of new locations, sound and animation - but I’m going to hold off on releasing any more demos until I reach the closed beta stage.  If anyone would be interested for signing up for this in the coming months, bear it in mind, and maybe even get in touch through twitter or info [at] superflatgames [dot] com (sorry, spam paranoia!)

I’ll leave you with a new screenie - recalling Soundless Mountain II in some ways (I like bathrooms, what can I say?)

In other news, there could be some wonderful things about to happen with Superflat Games - I will tell more when it’s confirmed - but suffice to say things could get quite a bit more serious in the coming months…

Amnesia is a game I’ve wanted to make for ages… It’s in a pre-production phase and has changed from being a classic point’n'click to more of a Survival Horror title, partly due to the fun we had making Soundless Mountain II, and the fact that I now have a great artist to work with, ‘Lord’ P. Duncan.  The story is essential the same as the point’n'click I imagined, though - it’s about a Japanese man called Aruku re-discovering his identity through dreams and nightmares, in a recurring Groundhog day.  Solving puzzles ‘positively’ will give you a piece of a jigsaw puzzle that is white, solving them ‘negatively’ will give you a red puzzle piece.  When the puzzle is assembled you will regain your memory, although the ending depends on the makeup of your physical jigsaw puzzle.  

It deals with the theme of isolation from society so present in modern Japan (I lived in Tokyo until recently.)  In fact we hope to really tackle some issues about modem life with this game, the distance and loneliness people can feel even when surrounded by others.
 
Visually we’re using what we call a ‘Moving Mosaic’.  This is our tech term for chunky, grainy, dirty hand-drawn pixels with lots of noise and filtering.  As well as this we have dynamic 3D shadows, so the torchlight will be spectacular!  It still is very self-consciously low-res pixel art, but with a modern twist, scaled up 4 times as in SMII - although it is in a higher resolution than SMII and with no colour restrictions.  We’re using 3D cel-shaded characters, with a slightly Prince of Persia feel to the moment.  There will be a lot of ‘being chased’ in the game, and you’ll have to escape this unkillable antagonist time and again by any means necessary, pulling obstacles in his path, cutting rope bridges etc.  Dreams will range from flying to escaping a filthy prison, and that’s all I can give away at the moment!

superflat.